CMTS Blog

Youth Performers Seussical the Musical Extra Rehearsal

Hector Moyes, Seussical Musical Director, would like to call an extra Rehearsal for Monday 27th May 2013, for singing.

The priority is to get the Children used to the Band before we get into the Theatre, so could the Principles attend from 1.30 to 5.30pm at the CMTS HQ please. Thanks.

Please let Lewis Richards, Production Chair, know if you are unable to attend. His email address is social@c-m-t-s.co.uk or his mobile is 07966 791085. Thanks.

Film night tonight!!!

Film Night tonight. Disneys Tangled being shown at CMTS HQ. £3 each. Doors open at 6pm and film starts at 6:30pm. Hope to see you there!

Seussical the Musical Show Week Arrangements

'Seussical the Musical' Show week arrangements

Dear Parent/Guardian;

As you are well aware, it is almost time for 'Seussical the Musical' to go on stage for the first time, so we are writing to you to make you aware of what is going to be happening show week so there is no confusion.


·         Tuesday 28th May;

o    Dress Parade (Costume Checking) at Clacton Coastal Academy, Pathfields Road, Clacton. This will start at 2pm.

o    Children will then be required to stay for a run of the show on the stage. This will start at approximately 4pm and run until 6:30pm. This will also be at Clacton Coastal Academy.

·         Wednesday 29th May;

o    Technical Rehearsal at Clacton Coastal Academy. This will begin at 6pm. Please ensure children are dropped off at Clacton Coastal Academy by 5pm. This is to make sure the children are ready in costume by 6pm to start. The finishing time for this rehearsal will be confirmed when you drop your child off.

·         Thursday 30th May;

o    Dress Rehearsal at Clacton Coastal Academy. This will begin at 7:30pm and will hopefully finish approximately 10pm. Children need to be at Clacton Coastal Academy at 5:30pm the very latest as the need to be made up and be in costume ready to start at 7:30pm. As if it was a real performance.

·         Friday 31st May;

o    First performance at Clacton Coastal Academy. The show will start at 7:30pm. The cast need to be at Clacton Coastal Academy by 5:30pm the very latest. Children can be collected in the theatre after the performance.

·         Saturday 1st June;

o    Matinee performance at Clacton Coastal Academy. The show will begin at 2:30pm. Children need to be at Clacton Coastal Academy by 12:30pm the very latest.

o    When this performance has finished the children can then be collected and taken home to have lunch/dinner. If they are collected please ensure they are back at Clacton Coastal Academy by 5:30pm.

o    There is also the option for your child/children to have a McDonalds as one of the adults is going to go and grab a big order of food. If your child would like this then please let us know on the day and leave your money with somebody.

 

Parents are not allowed into the Dressing Rooms, before, during or after the Shows. This is due to our Safeguarding and Child Protection Policy. Parents will need to wait in the theatre or entrance hall.

Thank you for your cooperation and if you have any questions please do not hesitate to contact me.

Kind Regards;

Lewis Richards
Secretary of the CMTS Youth Performers
07966791085 or social@c-m-t-s.co.uk

TSoM Rehearsal Tuesday 14th May 2013

The first half hour will be for singing then a Run of the Show at 8pm. Everyone called.

North Essex Theatre Guild (NETG) Review of 'Jack and the Beanstalk'


North Essex Theatre Guild


SHOWCASE FESTIVAL 2012/2013


ADJUDICATION

 

Group
Clacton Musical Theatre Group
Venue
West Cliff Theatre
Date of Adjudication
29th December 2012
Production
Jack and the Beanstalk
Director
Steve Liversedge
Adjudicated by
Jane Rayner and Liz Mullen

 

 

Front of House

When we arrived, there was a slight mix up over our tickets, which was resolved in an efficient and friendly manner.

The programme was glossy and well designed. There were photos of some of the cast and crew, and information about the society and the author.

Christmas decorations were still up in the theatre, which gave a festive feel. The matinee audience had lots of children, waving light up wands and light sabres. There was a lovely air of eager anticipation and a collective “Ooh!” as the lights went down.

 

Music

The show opened with a lively overture from the band, including “Knees up Mother Brown” and “When I’m 64.”

The musical director, Hector Moyes, and his fellow musicians played a variety of musical styles in a competent manner, never overpowering the singers.

 

Lighting and Sound

From the huge crash at the start of the show, followed by a booming “Fi, Fie, Fo Fum!” sound effects were there to enhance the action.

Lighting was excellently handled, creating different moods and the UV section was a treat to behold.

 

Set

The sets were painted in traditional panto fashion. The first scene was set above the clouds, with blue sky and white clouds. There was the village with its Tudor style houses, the dame’s garden and the giant’s castle with oversized furniture and props.

 

Costumes

This was a nicely costumed show, giving a traditional panto look. Some of outfits were hired, some made, but they blended well together. Fairy Greenbean had a green wig and wore green and brown, a good contrast to Grisley, with his black boots and waistcoat with its big shoulders. There was attention to detail with the villagers’ costumes and the younger children looked suitably special in their sparkly

walk down outfits.

The giant’s costume was very special, making him easily 10 to 12 feet high. His hands and feet were huge.

The dame’s costumes were more subtle and pretty rather than outrageous and he wore court shoes and green character shoes. His wigs were also more realistic making him look more like a female impersonator rather than an obvious panto dame.

The wispy costumes for the opening of the second act looked gorgeous and suited the dance and the music.

I felt Jack would have looked better had she worn long boots. She seemed uncomfortable with her costume in the second half and fiddled with it rather a lot.

 

 

Grisley. Charlie Vaughan

From his first entrance, Grisley made a huge impact, getting boos from the audience, snarling out his lines in a deep, throaty voice. Once or twice, he started to speak over the booing so the beginning of a line was lost. (We saw the first performance – I’m sure that Charlie allowed for this in later shows.)

Charlie had two distinct laughs; one a rich, fruity chuckle, the other a traditional villain’s laugh, evil and menacing. He remained in character throughout, always sneering and thoroughly nasty. This was an excellent performance.

 

Simple Simon. Peter Spilling

Peter quickly established an easy rapport with the audience. He was able to ad lib, responding to what was happening on stage and comments from the audience. A likeable character. (I heard that this was Peter’s first pantomime. If so, he deserves even more praise for tackling such a vitally important role. The Simple Simon/ Lazy Jack/ Silly Billy type of character has to blend comedy with audience appeal, add a touch of pathos to grab our sympathy and be attractive enough to get married off at the end!)

 

Dame Durden. Steve Liversedge

Steve worked well with Simon and Jack. His duet with the Squire was a high point. They both showed their experience by not just singing the song, but performing it and their moves were well choreographed. However, he did need quite a few prompts, which obviously slowed the pace and possibly unsettled some of the other actors. He played the role well enough but I felt he didn’t really connect with the audience and at times appeared to be struggling.

 

Jack. Lucy Harris

This was a confident performance from Lucy, who has a lovely singing voice and moved well, giving Jack that necessary swagger that a principal boy needs. We were surprised to find that she is only thirteen. Sometimes her delivery was a little rushed and some of her lines needed more expression but this is something that will come with experience. She and Miranda worked well together.

 

Miranda. Gabrielle Tyler

Another young actress, only sixteen. Gabrielle needed to slow down her delivery to really get the most from her lines. She sometimes had her back to the audience but again, these small faults will disappear as she gains more experience. She has a pleasing singing voice and she seemed much more comfortable in the second half. The duets with Lucy were beautifully sung.

 

 

Fairy Greenbean. Tracey Williams

Greenbean has most of her scenes with Grisly and Tracey created a nicely contrasting character, with her Pam Ayres accent and her sweet nature.

 

Daisie. Ashleigh Masters and Ashlea Moore

A lovely pairing for the tricky role of the cow. They managed to create a character without being seen or speaking any lines. Their dancing was both slick and amusing and although Daisie couldn’t really change her facial expressions, you could almost believe she was! Well done.

 

Squire Goodnight. Ray Sharp

Ray brought out some of authority of the Squire but sometimes needed more expression. He was at his best during the duet with the dame.

 

Harriet. Katie Leech

Katie made an immediate and positive impact. She played the role as written, in a jolly hockey sticks manner, and lit up the stage. Her lines were delivered with pace and expression, she moved well and had a lovely voice. A small role but she really enhanced the action. Great stage presence. Well done.

 

Blunderbore. Peter Barnett

What a challenge for any actor, to play a giant, wearing a tall metal frame, supported on his shoulders. To move around the stage, to operate both mouth and eyes – and speak. I understand that Peter wasn’t able to try out the costume until quite close to the performances so well done for making it work so well.

 

Conclusion

The ensemble numbers were well choreographed. The opening chorus had a lively village scene with six main dancers and the village children in the background. After the initial scene setting with Fairy Greenbean and Grisley, to have the curtains open on such a cheerful, colourful and upbeat number was delightful. The positioning after the song was good. The villagers maintained a bustling business in the background.

The dance sequence to Carmina Burana was atmospheric with wind and rain sound effects, smoke machine, great lighting and a very well choreographed and executed routine. The U.V sequence was cleverly done, with dancing beans being planted, watered and growing into the beanstalk. We were disappointed that Jack made no attempt to climb it. The rest of the cast waved him off but it was obvious that he wasn’t going anywhere. Even just pretending to start to climb, perhaps with one small step concealed behind the beanstalk would have made so much more impact. Likewise, when the giant was defeated and presumably fell down the beanstalk, there was nothing to see. The script suggested his feet being shown but if they were, we couldn’t see them from our seats.

There was a lack of pace during the first half, possibly the result of quite a few prompts. There was some purposeless milling about on the clouds in act two. The script seemed to pad out the whole business of getting from the beanstalk to the giant’s castle.

The audience participation song was fairly well controlled. Around 40 children ended up on the stage. Having finally finished singing, around half of the children had started to return to their seats before the dame remembered to give out lollies. This caused a chaotic scramble for those children, and a lot more, to get back to the stage.

I t would have been good to see Simon Brett playing the dame, to see how he acted and reacted to the audience. We wondered if Steve had had to take the role at short notice, but were told he had known well in advance, so it was disappointing that he wasn’t completely confident with the lines. When any character needs more than one or two prompts, it affects both the rest of the cast and the audience.

It was a bold move to cast two such young performers as principal boy and girl and while they sang very nicely and had lots of confidence, they both needed to slow their delivery and think about what they were saying and the meaning behind the lines.

However, this was a bright, colourful and cheerful production with some real high points, especially the chorus numbers.

The cast all appeared to be enjoying themselves, and I’m sure this production was a nice post Christmas treat for the audience.

 

Jane Rayner and Liz Mullen

 

NODA Review for 'Jack and the Beanstalk'


Clacton Musical Theatre Society

Jack & the Beanstalk. West Cliff Theatre, Clacton.

Saturday 29th December 2012, Matinee Performance. 

With a bright opening scene enhanced by lovely costumes, the audience sat back and were ready to be entertained.

The little band did themselves proud and percussion did an exceptionally good job at reacting to the action onstage.

Direction overall, I found to be lacking in many respects but the cast did what they could and pulled the piece off.

Very good performances were turned out by Jack (Lucy Harris) although her dialogue needed to be much slower; Grisly – my favourite character (Charlie Vaughan); Simple Simon (Pete Spilling) who did a grand job in getting the audience onside.

Singing was strong in most of the songs and I mention especially those which involved Mirander (Gabrielle Tyler) and the ensemble.

The obligatory pantomime cow did a sterling job and managed to show its dancing prowess.

Dancing was simple but the choreography was well constructed and played to the abilities of the cast.

The scenery was also simple but very effective and included some excellent backcloths.

Lighting too deserves special mention and the effects contributed significantly to the overall presentation.

In my opinion, the community song came too late and was very disorganised but with so many children wanting to participate, I guess the cast were somewhat overwhelmed! AND.... I still don’t know why the cow has only four legs!!! My grandchildren aged 3 and six loved it!

 

Eric Smart

NODA.

 

Youth Performers - Seussical Rehearsals Tonight - 10th May.

6pm-7:30pm - Run Act 1. (NO SCRIPTS!).

7:30pm-9pm - Revise Act 2 set so far (SCRIPTS ALLOWED!)

EVERYBODY WHO IS IN THE CAST ARE NEEDED! EVERYBODY.

Any absences will be noted. It's so important for everybody to attend rehearsals now, we have 6/7 rehearsals left before the show is performed.

Saxon Theatre Group Present...

The Saxons are putting on 'Curtain Up On Murder', at the Macgrigor Hall, Frinton on Friday & Saturday evening this week.

The play is a thriller, featuring an amateur drama group rehearsing in the theatre at the end of the pier.

They discover that they have been locked in, and then, one by one, they start getting bumped off.

The first one to go is the SM!

There is a killer on the loose, but which one of them is it?

Amanda Powell, our Mother Superior from TSoM is in the play, so is her Dad Keith.

Tickets are £7 and the Box Office is open every day from 11am to 1pm tel: 07799 105071.
Phone 01255 675959 outside Box Office hours.

Tickets also available at Caxton Books Connaught Ave Frinton. Tel: 01255 851505.

Pantomime 2013/14 Announcement.

The Management Committee are pleased to announce that our Pantomime 2013/14 will be Aladdin.

The Production Team will be named as soon as it has been confirmed.

TSoM Rehearsal: Thursday 2nd May 2013.

This evenings Rehearsal is as follows:
  • 7pm - Children Singing Rehearsal.
  • 7.30pm - Set Act 2 Scenes 2, 3, 4, 5 pages 82-95 - MAbbess/Postulants (x3)/Margaretta/Berthe/Sophia/Nuns Chorus/Children/CVTrapp/Maria/Max/Elsa/Schreiber/Zeller/Rolf.
Please note the Children will be needed until 10pm.